Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.
WILD RACER, “The postmaster and his boys came here and said that you had climbed up on the buoy farthest out. The boys had rowed back toward shore just for fun, but they met a man in a row boat who nabbed them because they had taken the Custom House boat. The boys didn’t say anything to him about you, sitting out there on the buoy”—
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WILD RACER Everybody looked at Johnny Blossom. Awfully embarrassing to have them stare so! But later Johnny sat on the top of the hill and sang, “Yes we love our grand old Norway,” with the greatest enthusiasm, he was so overflowing with joy..
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